Shinobi-Iri: The Ancient Art of Silent Entry and Movement by Dai-Shihan Jason Steeves

In today's world, noise is omnipresent—both literal and metaphorical. Yet, for the Shinobi of feudal Japan, silence was not merely a preference; it was a vital survival strategy.

Shinobi-iri (忍び入り), translating to "sneaking in," encompasses a comprehensive system of stealth, infiltration, evasion, and movement through hostile territory. It blends invisibility, psychological manipulation, and precise timing into a cohesive art. It's not just about sneaking around; it's about entering an enemy's stronghold, fulfilling your purpose, and leaving without a trace.


What Is Shinobi-Iri?

At its core, Shinobi-iri integrates several overlapping disciplines:

  • Silent movement

  • Breaking and entering

  • Blending into surroundings

  • Psychological manipulation of guards

  • Utilization of terrain and ambient noise

This art is part of the broader category known as Kakure-jutsu—the skills of hiding and remaining undetected. The goal isn't just to be unseen but to be unimportant, unnoticed, and unremembered.


The Art of Erasing Sound and Light – Jōei-on Jutsu (常影音術)

Jōei-on Jutsu teaches practitioners to let the environment mask their presence. Movement is timed with natural sounds—rainfall, wind gusts, or the splash of a stream. Approaching from downwind prevents dogs from catching your scent. Positioning oneself with light sources behind ensures the face remains in shadow, minimizing visibility.




Psychological Entry – Nyūdaki no Jutsu and Nyūjō no Jutsu

Infiltration often involves exploiting human nature. Nyūdaki no Jutsu focuses on identifying predictable behaviours—like a guard's routine phone check every 30 minutes—and using them as openings. Nyūjō no Jutsu emphasizes timing, such as slipping in during shift changes or moments of distraction.


Distraction – Yoji-gakure no Jutsu (予示隠れの術)

A simple distraction, like a thrown rock, can divert a guard's attention, allowing movement in the opposite direction. This misdirection is primitive yet effective.


Camouflage and Movement

Camouflage transcends patterns; it's a principle. Utilizing mud, smoke, charcoal, or ghillie suits aids concealment, but the most significant assets are route selection and movement style. Staying in shadows, using terrain to break lines of sight, and maintaining a low profile are crucial.

Military intelligence often operates 36 hours ahead of troop movements, deploying drones and aerial photography to read terrain and set traps. Navigating through such surveillance requires mastery of stealth techniques.


Movement Techniques

Various walking styles are employed for silent movement, each suited to different terrains and purposes.

1. Shinobi Ashi (忍び足)

The classic ninja walk involves a toe-first approach, rolling the foot down slowly. This method minimizes noise and allows for immediate response if a surface creaks.

2. Saguri Kaeshi

Used when visibility is low, this flat-footed step tests for obstacles before committing weight.

3. Yoko Aruki

A sideways stepping technique that keeps the profile narrow, ideal for tight corners.

4. Kitsune-Bashiri / Kitsune Aruki (Fox Walk)

This involves lowering the center of gravity, moving slowly like stalking prey, or walking on fingertips and toes in a zigzag pattern to remain low and silent.


Specialized Crawling Techniques

When walking isn't stealthy enough, crawling techniques are employed:

  • Inu Aruki (Dog Walk): Resembling a monkey gait, this involves moving hands and feet alternately on the ground, allowing movement in all directions.

  • Kani Aruki (Crab Walk): Sideways movement using same-side limbs, facilitating quick transitions.

  • Ko Ashi (Tiger Walk): A low, heel-to-toe movement ideal when in close proximity to guards.

  • Hyageke: A faster version involving high knees, used when speed is necessary despite potential noise.


Camouflage Techniques

  • Uzura-gakure (Hidden Quail): Curling into a corner to resemble a rock, relying on stillness for concealment.

  • Kannon Gakure: Standing by an object of similar color and remaining absolutely still to merge with the background.

  • Ninja Walk: Overlapping footsteps to make tracking direction nearly impossible.


Breathing and Patience

Breathing is critical in stealth. Inhale through the nose and exhale through the mouth. If breathing is loud, opening the mouth wide can diffuse the sound. Holding breath is discouraged, as a sudden gasp can betray presence. Tense muscles also generate noise; staying calm and relaxed is essential.

If a sound is made, freezing and assessing the environment is crucial. Listening for changes, like a dog ceasing to bark or voices pausing, can indicate whether detection has occurred.




Strategic Advice

  • Avoid open fields; stick to tree lines or edges.

  • Turn gradually to prevent drawing attention.

  • Time sword drawing with the right step for fluidity.

  • In water, avoid splashing by keeping movements controlled.

  • Use arms to feel for obstructions in low visibility.


Final Thoughts

Shinobi-iri is not merely an action but a transformation. Every movement, breath, and pause is a deliberate act of erasure. It's about becoming one with the environment, moving with purpose, and mastering control. True stealth is achieved not through speed but through deliberate, practised movements.



Note: For visual demonstrations of these techniques, consider exploring our instructional videos on Shinobi-iri and stealth walking methods at divinewarriorninjutsu.com in our Total Force online course.